Explore our wide array of free online courses to expand your musical skills and gain a competitive edge on your lunch break! With free online courses such as Alternate Tunings for the Creative Guitarist, Touring on a Shoestring, How to Get All the Royalties You Never Knew Existed, and Digital Pedalboards with Kaki King, here’s what you can expect to see on Soundfly.
It used to be that the only way for songwriters to get financial support for their craft was via a music publishing deal. Advances were offered as part of a deal that required the songwriter giving up a percentage of their royalties in exchange for industry support, royalty collection and financial assistance.
Writers like Scheibe attacked Bach’s in-depth use of musical theology, along with his general style, accusing him of “too much art.” Writing in Bach’s defense, his friend Birnbaum countered that “God is a harmonic being.” For Bach, composing was “not an act of free creation but… imaginative research” leading to a “musical science that seeks ‘insight into the depths of the wisdom of the world’” (Wolff, Bach: The Learned Musician).
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Simply insert a de-esser on your vocal channel and sweep through the frequencies in “listen” mode to find what’s causing the problem, then increase the threshold until the sibilance is squashed.
The video for “In the 1970’s” (above) is brilliant. Have you always felt free to incorporate humor into your work? I’m impressed when people have the courage not to take themselves too seriously.
It’s very fluid and overlapped as to where the bridge stops and the verses begin with these mercurial lyrics bleeding over the bars like too much bubbly poured into your champagne flute. The outro gives you a funky meter fake-out. It sounds like they went to triplets or something, but all those odd accents still subdivide over three solid bars, believe it or not.
This is an absolutely insanely great playlist of New Mexico-based chiptune hero Bud Melvin covering selections by the Cure for a recent Halloween set. If you’re interested in hearing some goth, new wave, chiptune augmented with banjo, awesome wacky vocals, and country influences, look no further.
Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here are just a few free courses you can choose from: How to Create a Killer Musician Website, Theory for Bedroom Producers, How to Get All the Royalties You Never Knew Existed, and of course, Touring on a Shoestring. Here’s a snippet of what to expect on Soundfly.
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György Sándor Ligeti (1923-2006) was a Hungarian composer, active roughly from the 1950s until the end of his life. He has written music in many different forms and for many different ensembles, spanning from works for solo piano to orchestral pieces, chamber pieces, electronics and opera. Some of his music was featured in Stanley Kubrick’s films 2001: A Space Odyssey, The Shining and Eyes Wide Shut. Specifically, his pieces “Atmospheres,” “Lux Aeterna,” “Requiem,” “Lontano” and the second movement from “Musica Ricercata” all appear in Kubrick’s cinema masterworks.
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Megastar Ed Sheeran is no stranger to music copyright infringement cases, and unfortunately, neither is his plaintiff. In the latest claim, “the battle of the Eds,” Sheeran is being accused of copying, yet again, Marvin Gaye’s “Let’s Get It On” in “Thinking Out Loud.” He is currently being sued by two different parties: Ed Townsend’s estate (co-writer of “Let’s Get It On”) and Structured Asset Sales, who claim to own a part of Gaye’s song.
As we can see, we can divide modes in Major and Minor modes and this will affect the comparison we must make with their parallel scale. For example: E Phrygian is a minor mode, therefore it should be compared to E Natural Minor and not E Major. By doing so, we would find out that the two scales differ from each other by one note: F in the Phrygian mode instead of F# which appears on the E Natural Minor scale.
For example, a kick-driven house track needs to be shaped much differently than a lo-fi song with drum parts you want tucked somewhere in the background. Experiment with different EQs and compressors and resist the urge to lean too heavily on preset options. Purposefully muddling certain instruments in your kit while keeping others sharp and focused can also create an interesting contrast to build on.